Top tourist attractions in Jordan
June 1, 2025
Gabriel García Márquez, Colombia’s Nobel Prize winning author and one of the world’s most beloved literary figures, forever changed how the world views his homeland. Affectionately known as “Gabo” by his fans, he is widely regarded as the founding father of magical realism, a literary genre where extraordinary and supernatural events unfold with striking normalcy. This style is perhaps best exemplified in his iconic novel One Hundred Years of Solitude, where everyday village life is seamlessly interrupted by characters ascending to heaven mid-conversation, among other surreal occurrences.
Gabriel García Márquez was often amused when people described his writing as magical. He once remarked, “There’s not a single line in all my work that does not have a basis in reality… the problem is that Caribbean reality resembles the wildest imagination.” His stories are deeply rooted in the history, culture, and spirit of his homeland, so much so that Colombia’s Ministry of Tourism adopted the slogan “Colombia, Magical Realism” to promote the country. As some of Colombia’s most remote regions become increasingly safe and accessible, now is the perfect time to experience the country through the enchanted lens of its most celebrated literary icon. We’ve compiled a list of the key destinations to visit to better understand both the man and the magic behind his work.
First on the list is Aracataca, a small rural town about two hours inland from Santa Marta on Colombia’s Caribbean coast. This is where Gabriel García Márquez was born and raised by his grandparents. His grandfather, Colonel Nicolás Márquez, had moved there seeking solace after killing a man in a duel. Years later, during a visit in the 1950s, Márquez rediscovered his childhood journal in Aracataca, which helped him overcome a three-year writer’s block. He retreated into his study for 18 months and emerged with One Hundred Years of Solitude.
His grandfather’s war stories fueled Gabo’s early imagination, but it was his grandmother’s superstitions and matter-of-fact storytelling that shaped the tone of his fiction. In his autobiography, he recalls how she would describe supernatural events, like ghosts or omens, as if they were part of everyday life, a style that would become the hallmark of his magical realism. Márquez later acknowledged Aracataca as the inspiration for the fictional town of Macondo, the hot, dusty, surreal setting of One Hundred Years of Solitude.
Today, Aracataca preserves glimpses of both the author’s early life and his mythical world. Yellow butterflies appear everywhere, on sidewalks, walls, and signs, just as they flutter through his novels. Visitors can tour his restored childhood home, now a museum with period furnishings and excerpts from his writing. Walk the wooden-paneled hallways past his grandfather’s office, bedrooms, dining room, and kitchen, all recreated to resemble the 1930s and ’40s.
Wander the town’s leafy streets and you’ll find the school where he studied, the church where he was baptized, and the old telegraph office where his father worked, now a museum filled with artifacts and a lifelike statue of Ursula Buendía, Macondo’s matriarch. Near the town park stands a sculpture of Remedios the Beauty ascending to heaven from the pages of a book, trailed by Gabo’s butterflies. According to a local guide, this scene was inspired by a real Aracataca tale: when a young woman eloped with her lover, her grandmother claimed she had ascended to heaven, Colombian reality imitating Márquez’s fiction.
This real-life boom and bust echoed in One Hundred Years of Solitude, particularly the tragic banana workers’ strike, based on a real 1928 massacre in nearby Ciénaga. After U.S. and company officials labeled the strike communist, Colombia’s military opened fire on protesting workers and their families. Official figures reported 47 deaths, but estimates suggest up to 3,000 were killed. The event profoundly influenced Márquez’s political views, and his criticism of U.S. imperialism led to him being banned from entering the United States for many years.
Aracataca is a curious blend of memory, myth, and modern indifference. In 2006, a referendum to rename the town “Macondo-Aracataca” failed due to low turnout. A few local tours explore Márquez’s legacy, but many residents seem largely unconcerned with the town’s literary fame. Still, for those captivated by Márquez’s world, Aracataca offers a rare glimpse into the roots of his imagination.
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At age 14, Gabriel García Márquez moved to Colombia’s capital, Bogotá, on a scholarship to study law. In his later writings, he referred to this time as a cold and lonely exile in the Andes, far from the warmth of the Caribbean coast he called home. Despite his distaste for what he described as a “remote, lugubrious city,” Márquez spent several years studying and published his first short stories in the newspaper El Espectador.
While Bogotá isn’t central to Márquez’s mythology, a few places offer glimpses into this chapter of his life. You can visit the National University, where he briefly studied, or head to La Candelaria, the city’s vibrant, colonial-era district filled with cathedrals, pastel buildings, and lively cafés. Here, you’ll find the Centro Cultural Gabriel García Márquez, a cultural hub dedicated to literature, art, and performance. Inside, a large mural illustrates the timeline of Gabo’s life, and regular events like readings and performances celebrate his literary legacy.
Beyond Márquez, Bogotá itself is worth exploring. The city pulses with energy, from thought-provoking street art that tackles themes like indigenous identity and women’s rights, to the rhythms of live salsa echoing through La Candelaria at night. For a different kind of adventure, join the locals on Sunday mornings for Ciclovía, when major roads close to traffic and fill with cyclists, runners, and skaters. It’s a unique way to see the city and strike up conversations with friendly Bogotanos.
In 1948, after political riots tore through Bogotá, Gabriel García Márquez fled to Cartagena, a historic Caribbean port city known for its tumultuous past, marked by colonial rule, pirate attacks, gold rushes, and the Spanish Inquisition. Arriving broke and alone, Márquez spent his first night sleeping in a park, only to be arrested for breaking curfew. As he later recalled, his landlord’s words “You’ll see, in Cartagena everything is different”, proved remarkably true.
Today, visitors can experience the magic that captivated Márquez. With its weathered cathedrals, bougainvillea-covered balconies, massive stone walls, and centuries-old fortresses, Cartagena feels like a city pulled from one of his novels. It served as the backdrop for several of them, most notably Love in the Time of Cholera. To walk in Márquez’s footsteps, consider taking the Gabriel García Márquez city tour, which visits over 40 literary and biographical landmarks tied to his life and stories.
After two years in Cartagena, Gabriel García Márquez moved up the coast to Barranquilla, a hot, bustling city located between the Caribbean Sea and the mangrove-lined Río Magdalena delta. He lived modestly in a room above a brothel and became part of the Barranquilla Group, a circle of writers and journalists who regularly gathered at La Cueva, a bar still open today, where you can stop in for a drink and soak in its bohemian history.
Another key Márquez-related stop is the Caribbean Museum, where a room has been recreated to resemble his old office during his time at El Heraldo, the city newspaper where he worked as a journalist. Beyond its literary ties, Barranquilla is also known as the birthplace of pop icon Shakira and the host of Colombia’s biggest street party: the annual Carnaval de Barranquilla. Second in size only to Rio’s, this vibrant celebration is a dazzling blend of Spanish paloteo, African congo, and indigenous mico y micas, a wild and colorful spectacle of music, dance, and masquerade.
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The last stop on a journey through Márquez’s Colombia is Mompox, a quiet riverside town deep in the country’s interior, along the banks of the Río Magdalena. Once a vital trading hub, Mompox now feels frozen in time, its slow pace and rural charm evoke the spirit of Macondo more vividly than even Aracataca.
Márquez featured Mompox in The General in His Labyrinth, a novel that follows the fictionalized final journey of Simón Bolívar down the Magdalena. While exploring the disillusionment of a legendary hero, the novel captures the melancholic, magical essence of towns like Mompox. In real life, Bolívar came here to recruit soldiers who helped secure Venezuela’s independence. Mompox was also where Colombia first declared independence from Spain in 1810.
It’s hard to believe this sleepy town, where donkeys and rickshaws still outnumber cars, was once Colombia’s third most important city. Its riverfront, once busy with ships, gold, tobacco, and contraband, now hosts just a few boats tied to the muddy banks. There was even a royal mint, used to protect merchants’ wealth from Caribbean pirates. Márquez’s fascination with Mompox began during a 1943 river cruise aboard the ‘David Arango’. That ship, and the era of Magdalena steamboat travel, came to an end in 1961 when it was burned. During Colombia’s violent political conflict known as La Violencia, the river became one of the most dangerous places in the country, a past still visible in the bullet-ridden hulls of surviving cargo ships.
Today, Mompox remains remote and blissfully untouched by mass tourism. Visitors can explore its dusty colonial streets, take a dugout canoe trip down the river, swim in its waters, or simply relax on the banks while enjoying freshly caught fish. As night falls, the town plaza comes alive with food stalls and riverside bars, offering a timeless, dreamlike experience straight out of a Márquez novel.
If you’d like to learn more about Colombia or Gabriel García Márquez, our local experts are here to help and happy to answer any of your questions. If you’re feeling inspired, they can also help you plan a custom trip to experience the magic of Colombia for yourself.
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